John Bergers Writing Ways Of Seeing Is A Look Into The World Of Art. T
This essay John Bergers Writing Ways Of Seeing Is A Look Into The World Of Art. T has a total of 1162 words and 6 pages.
John Berger's writing Ways of Seeing is a look into the world of art. Throughout his composition, he gives his opinions on various topics about art. Jane Tompkins essay Indians: Textualism, Morality, and the Problem of History is a look into the world of history. Within her essay, Tompkins discusses her views on the quest of finding truth in history. She uses terms such as relativism ,the understanding that man or woman can never find the absolute truth in facts, and epistemological quandary , a predicament where in her case she could not find the correct knowledge and facts to interpret and learn the factual information she desired to possess. These terms help to develop her way of finding the historical truth when there are many different accounts of history.
Reproductions occur in many different aspects of life. Two of these such aspects are art and history, the areas of expertise of Berger and Tompkins respectively. Berger believes that non-exact reproductions of art are of great
value while Tompkins believes that there is little value if there is a non-exact reproduction or recount of history.
John Berger ,an art critic as well as an author, is a proponent of reproducing art in different forms other that the original. When Berger talks about this positive view of reproduction ,he says that,
In the age of reproduction the meaning of the paintings is no longer attached to them; their meaning becomes transmittable that is to say it because information of a sort ,and, like all information, is either put to use or ignored; information carries no special authority within itself.(65)
This quote explains Berger's feelings on the reproduction of art in our time. He illustrates to the reader that reproductions give the art viewer a more specific angle on a art piece. By doing this the art pursuer can understand the piece on a greater level making the original piece more comprehensible. Because of this, Berger makes the assertion that reproduction enhances the understanding of the original piece thus making reproduction justified and a worthy thing to accomplish.
This belief that reproduction further explains a piece of art carries into Berger's thinking on modern film and the modern camera. Not only can art or paintings be reproduces with another painting but it can be reproduced with the camera. A film-maker can use art to illustrate a theme or point that he or she is trying to make. When a painting is reproduced by a film camera it inevitably becomes for the material film-maker's argument(66). Because of this a film which reproduces images of a paintings leads the spectator through the painting, to the film-maker's own conclusions(66). Film is another venue for people to broaden their understanding of paintings. Thus, Berger is for this form of reproduction. This is another point that Berger uses to further display the benefit of art reproduction.
An alternate view of reproductions is held by Jane Tompkins. She analyzes history with the application of relativism, the understanding that man or woman can never find the absolute truth in facts, to the dilemmas of history. In the end, she describes her conclusions regarding historical interpretation. First she begins to realize her dilemmas with establishing non-biased historical fact when preparing to teach a course in colonial American literature. Tompkins wanted to learn what she could about the Puritan's
relationship with the Americans Indians, but she soon found extremely conflicting reports. She explains,
Some of the conflicting accounts were not simply contradictory, they were completely incommensurable, in that their assumptions about what counted as a valid approach to the subject, and what the subject itself was, diverged in fundamental ways(619).
In other words, when a person researches a fact they will always find conflicting reports which is shown here by Tompkins. Tompkins felt a loss because she was frustrated with this array of mutually irreconcilable points of view(619) and decided to turn to what she viewed as primary sources(620) for further clarification. Yet here Tompkins finds further evidence of bias, and further frustration. She describes her situation as a complete epistemological quandary(620). This is a quandary where in her case she could not find the correct knowledge and facts to interpret and learn the factual information she desired to possess.
This proves to the reader that Tompkins believes
Topics Related to John Bergers Writing Ways Of Seeing Is A Look Into The World Of Art. T
Philosophical logic, Metatheory, Relativism, Truth, Art, John Berger, Meaning, Reproduction
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